![\"\"](\"https:\/\/albertobiasi.it\/wp-content\/uploads\/2023\/04\/Mirare-700x441.jpg\")
<\/a><\/li><\/ul><\/div>remedia<\/a><\/span><\/span>2023-04-21T13:51:45+00:00<\/span>Alberto Biasi. Dinamica ecologica<\/a><\/h4>
Cardi Gallery, London. 17.02 \u2013 20.05.2023<\/p><\/div><\/article>
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<\/a><\/li><\/ul><\/div>remedia<\/a><\/span><\/span>2023-04-24T08:22:19+00:00<\/span>Salto nel vuoto. Arte al di l\u00e0 della materia<\/a><\/h4>
GAMeC, Bergamo. 03.02 \u2013 28.05.2023<\/p><\/div><\/article>
![\"\"](\"https:\/\/albertobiasi.it\/wp-content\/uploads\/2023\/04\/Valencia-700x441.jpg\")
<\/a><\/li><\/ul><\/div>remedia<\/a><\/span><\/span>2023-04-24T08:21:52+00:00<\/span>Lejos del vac\u00edo. ZERO y el arte de posguerra en Europa<\/a><\/h4>
IVAM, Valencia. 30.09.2022 \u2013 12.02.2023<\/p><\/div><\/article><\/section><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"
GAMeC, Bergamo. 03.02 \u2013 28.05.2023<\/p>\n","protected":false},"author":1,"featured_media":4053,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,38],"tags":[],"class_list":["post-4080","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-event-en","category-uncategorized-en"],"_links":{"self":[{"href":"https:\/\/albertobiasi.it\/en\/wp-json\/wp\/v2\/posts\/4080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albertobiasi.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/albertobiasi.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/albertobiasi.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/albertobiasi.it\/en\/wp-json\/wp\/v2\/comments?post=4080"}],"version-history":[{"count":6,"href":"https:\/\/albertobiasi.it\/en\/wp-json\/wp\/v2\/posts\/4080\/revisions"}],"predecessor-version":[{"id":4841,"href":"https:\/\/albertobiasi.it\/en\/wp-json\/wp\/v2\/posts\/4080\/revisions\/4841"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albertobiasi.it\/en\/wp-json\/wp\/v2\/media\/4053"}],"wp:attachment":[{"href":"https:\/\/albertobiasi.it\/en\/wp-json\/wp\/v2\/media?parent=4080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/albertobiasi.it\/en\/wp-json\/wp\/v2\/categories?post=4080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/albertobiasi.it\/en\/wp-json\/wp\/v2\/tags?post=4080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![](\"https:\/\/albertobiasi.it\/wp-content\/uploads\/2023\/04\/Alberto-Biasi-Dinamica-ottica-1962-67-PVC-e-legno-diagonali-140x140x11-cm-lato-100x100-cm-scaled.jpg\" "\\"Alberto")
<\/span><\/div><\/div><\/div>Salto nel vuoto. Arte al di l\u00e0 della materia<\/strong><\/h2><\/div>GAMeC, Bergamo. 03.02 \u2013 28.05.2023<\/p>\n
Curated by Lorenzo Giusti and Domenico Quaranta<\/em><\/p>\nSpecifically, looks at those artists who, at different times, have investigated the dimension of the void in relation to the theme of matter \u2013 thus denying it in substance or identifying it as a mere ideal or imaginative dimension \u2013 or whose work has proved capable of reflecting epochal changes in the perception of the material dimension and in material culture itself, introduced by the emergence of the paradigms of software and computerization, as well as by the digital revolution and its social absorption.<\/p>\n<\/div>
GAMeC, Bergamo. 03.02 \u2013 28.05.2023<\/p>\n
Curated by Lorenzo Giusti and Domenico Quaranta<\/em><\/p>\n Specifically, looks at those artists who, at different times, have investigated the dimension of the void in relation to the theme of matter \u2013 thus denying it in substance or identifying it as a mere ideal or imaginative dimension \u2013 or whose work has proved capable of reflecting epochal changes in the perception of the material dimension and in material culture itself, introduced by the emergence of the paradigms of software and computerization, as well as by the digital revolution and its social absorption.<\/p>\n<\/div>